1998 Mercedes Sl 500 Convertible on 2040-cars

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The 2017 Mercedes-Benz E-Class interior is the new standard [w/video]

You can choose from 64 ambient light colors in the 2017 Mercedes-Benz E-Class. Sixty-four. It's this sort of personalization that highlights Mercedes' approach with its new midsize sedan, a car I'm comfortable saying will once again secure its place as the most luxurious car money can buy in that class. It's the true Mercedes of the segment. All you have to do is look inside. If the cabin of this new E-Class looks familiar, it's because it builds on a successful Mercedes-Benz formula. There's a wealth of luxurious materials at your fingertips; leathers and trims from the S-Class trickle down to Mercedes' midsize E, and work in perfect harmony with beautifully sculpted surfaces. If I told you the pictures above show a new S-Class Coupe, you'd (probably) believe me. That's exactly how I felt during an intimate preview of the new E-Class' interior at one of Mercedes' research and development buildings in Sindelfingen, Germany. After hearing Merc's suits talk about the mission of the new E-Class, my iPhone was confiscated, and I was ushered behind a dark curtain where I met a lightly camouflaged car. Sitting inside, my first impression was the same as when I first met the current S-Class a couple of years ago: wow. Much like how the new C-Class is often referred to as a "baby S-Class," the same can be said of the new E, with even more validity. Here's why. Everything On The Big Screen The first thing you notice is the flat, dual-screen display that makes up the instrument panel and central infotainment headunit. This large piece of tech is a "Mercedes interior signature," according to lead designer Hartmut Sinkwitz. All versions of the E-Class have this setup, but in two different levels of execution. Base models get traditional fixed speedometer and tachometer gauges, with a seven-inch color display between them and an 8.4-inch color display off to the right for the COMAND system. Uplevel cars, like the ones you see here, get two 12.3-inch screens, with a huge range of customization options, and a revised main menu interface for COMAND. With that premium system, three different skins can be selected for the gauge cluster. The standard configuration – Classic – is exactly what you expect from a new Mercedes, with a clean, two-gauge design and different driver-selectable information screens in the middle. But new for the E-Class are two other views, branded as Sport and Progressive. Sport still uses the two-gauge setup, but uses different fonts and colors.

Race Recap: 2013 Japanese Grand Prix flips several scripts [spoilers]

Japan's Suzuka circuit is a great track that all the drivers love, but it doesn't usually provide the most thrilling, head-to-head racing. Where it does excel, however, is with surprises and "What just happened there?!" moments, and this year it was no different.
It started with Mark Webber in his Infiniti Red Bull Racing out-qualifying his teammate Sebastian Vettel for the first time this year. They were followed closely by Lewis Hamilton in the first Mercedes-AMG Petronas, the still-solid Romain Grosjean again outdoing teammate Kimi Räikkönen, Felipe Massa racing for another seat in Formula One and putting his Ferrari in fifth, then Nico Rosberg in the second Mercedes, Nico Hülkenberg in the first Sauber, Fernando Alonso in the second Ferrari, and Räikkönen continuing to do himself no favors by qualifying tenth.
For the second year in a row, the lights going out was the cue to start the first corner action...

Gordon Murray, F1-driven production and .. the Pontiac Fiero

Gordon Murray's design and engineering chops are unquestionable. But does his carmaking approach owe something to the short-lived Pontiac Fiero, a scrappy little car program that emerged from GM against serious resistance? Murray had a Formula One career that ran from 1969 to 1991, with stints at Brabham ('69 to '86) and McLaren ('87-'91), that resulted in several shelves' worth of trophies for the cars he was instrumental in designing. He moved on to McLaren Cars, the consumer side of things, where, during his tenure from 1991 to 2004, he helped design the McLaren F1 and the Mercedes-Benz SLR McLaren, two cars that took learnings from his two decades in Formula One. What do all of these cars have in common? Three things: They are light. They were built in limited numbers. And they were (and are) exceedingly expensive—when the McLaren F1 debuted in 1994, it stickered at $815,000. Murray went on to establish Gordon Murray Design in 2007. GMD has created some interesting concept vehicles, such as the diminutive T.25 city car (94.5 inches long, 51.1 inches wide and 55.1 inches high), and the OX, a lightweight truck for the developing world that packs like an IKEA shelf and is working toward realization through a worthy crowdfunding campaign established by the Global Vehicle Trust. Now he has created a vehicle manufacturing company, Gordon Murray Automotive, that will use manufacturing methods that he developed under the moniker "iStream." Unlike a unibody, there are the "iFrame," a cage-like construction made with metallic components, and the "iPanels," which are composite. The panels aren't simply a decorative skin; they actually provide structure to the vehicle. Presumably this has something of the F1 monocoque about it. Going back to the three elements, (1) this arrangement results in a vehicle that can be comparatively light; (2) Murray has indicated that his manufacturing company will be doing limited-run production; and (3) to launch Gordon Murray Automotive they are going to be building a flagship model, about which Murray said, "With our first new car, we will demonstrate a return to the design and engineering principles that have made the McLaren F1 such an icon." Which seems to imply that it will be on the pricey side. According to the company's verbiage, "iStream forges an entirely new production method that defies conventionality with its Formula One-derived construction and materials technologies." It also sounds a whole lot like ...