2012 Bentley Continental Mulliner Coupe-driven Only 8972 Miles-factory Warranty on 2040-cars

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Bentley Mulliner Batur celebrates the W12, previews EV style

Bentley has revealed its second special Mulliner coach-built model, and it represents a crossroads for the brand. It's called the Bentley Mulliner Batur, and it's a sendoff for the core engine for Bentley, the twin-turbo W12. It's also a sign of things to come. The styling you see here will be adapted for Bentley's future electric cars. The car is clearly Bentley right from the get-go. It has the long front end, the prominent, rounded rectangular grille, rearward placed cabin and wide, flowing rear fenders. But it has a more aggressive look than some recent Bentleys. The grille looks as though it's leaning more forward. Instead of round headlights, it has sweptback units that look like eagle eyes. The rear glass, instead of kicking up, stays low along the belt line. The tail has almost a boattail look and has slender taillights. It's Bentley, but it's also new. The inside is clearly closely related to the Continental GT, which is no bad thing. But it can be set apart with special materials. Buyers of the Batur will have the ability to customize almost every aspect of the car with different leathers from different locations, different interior trimmings and upholstery designs. Bentley is offering some very unique materials, too. Metal pieces such as the organ stop vent switches can be made from titanium or even 3D-printed 18-karat gold. Some of the interior trim can be made from a natural fiber composite, which is like carbon fiber, but made from naturally occurring fibers rather than synthetically created carbon. The natural fiber can be used for the front splitter, side skirts and rear diffuser as well. And of course the exterior can be customized with just about any paint and graphics imaginable. Bentley says that the Batur is powered by the most powerful iteration of the twin-turbo 6.0-liter W12 yet. It makes 730 horsepower and 738 pound-feet of torque. It's paired with adaptive air suspension, active anti-roll bars, all-wheel drive, four-wheel steering, an electronic limited-slip differential and torque vectoring to help it handle as well as it can go in a straight line. Stopping it are a set of carbon silicon carbide brakes with 10-piston front brake calipers and four-piston rears. Only 18 Baturs will be built, and they're all spoken for. Pricing started at 1.65 million British pounds, or $1.95 million. Though there will only be a few of these Baturs, keep an eye out for its design to show up in the Bentley EVs that are coming starting in 2025.

A car writer's year in new vehicles [w/video]

Christmas is only a week away. The New Year is just around the corner. As 2014 draws to a close, I'm not the only one taking stock of the year that's we're almost shut of. Depending on who you are or what you do, the end of the year can bring to mind tax bills, school semesters or scheduling dental appointments. For me, for the last eight or nine years, at least a small part of this transitory time is occupied with recalling the cars I've driven over the preceding 12 months. Since I started writing about and reviewing cars in 2006, I've done an uneven job of tracking every vehicle I've been in, each year. Last year I made a resolution to be better about it, and the result is a spreadsheet with model names, dates, notes and some basic facts and figures. Armed with this basic data and a yen for year-end stories, I figured it would be interesting to parse the figures and quantify my year in cars in a way I'd never done before. The results are, well, they're a little bizarre, honestly. And I think they'll affect how I approach this gig in 2015. {C} My tally for the year is 68 cars, as of this writing. Before the calendar flips to 2015 it'll be as high as 73. Let me give you a tiny bit of background about how automotive journalists typically get cars to test. There are basically two pools of vehicles I drive on a regular basis: media fleet vehicles and those available on "first drive" programs. The latter group is pretty self-explanatory. Journalists are gathered in one location (sometimes local, sometimes far-flung) with a new model(s), there's usually a day of driving, then we report back to you with our impressions. Media fleet vehicles are different. These are distributed to publications and individual journalists far and wide, and the test period goes from a few days to a week or more. Whereas first drives almost always result in a piece of review content, fleet loans only sometimes do. Other times they serve to give context about brands, segments, technology and the like, to editors and writers. So, adding up the loans I've had out of the press fleet and things I've driven at events, my tally for the year is 68 cars, as of this writing. Before the calendar flips to 2015, it'll be as high as 73. At one of the buff books like Car and Driver or Motor Trend, reviewers might rotate through five cars a week, or more. I know that number sounds high, but as best I can tell, it's pretty average for the full-time professionals in this business.

Bentley Continental GT art car is meant to move while standing still

Art cars are always cause for interest, so when a Bentley “art car” pops up, we take notice. This particular Bentley wasnÂ’t commissioned by the folks in Crewe, but instead by a dealership in the U.K. named Jack Barclay Bentley. The art on the car was applied via a wrap over a black paint job, and itÂ’s the work of Icelandic artist Katrin Fridriks. A new Continental GT was the canvas for this work, and there is an explanation as to the motivations of the artist. The piece is part of FridriksÂ’ “Speed of Light — Commander” show. Its design is meant to give the car a sense of speed and motion even when sitting still. Only black, white and gray were used. HereÂ’s what is said about the art in the official write-up from the dealership: “Utilising an exceptionally limited color palette between black and white, the artistÂ’s intervention allows the bold, hand-crafted lines of the car to come through her energetic liquid shapes. The abstract organic forms applied on the elegant surface of the powerful vehicle are following its impeccable design, accenting its raw performance and motion. Starting with harmonious flowing marks in the front and accelerating towards splattering paint on the back, she is offering a different and unique appearance of the car depending on the variety of viewing points.” The language used is rather flowery, but what else should we expect from Bentley? Jack Barclay Bentley also happens to be the oldest Bentley dealer in existence, having sold Bentleys for 92 years now. This car will be on display at the dealership in London's Mayfair district until Oct. 7 before itÂ’s sent on a number of special events with JD Malat Gallery.