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Aston Martin reveals Vantage GTE art car for Le Mans

The Gulf livery is undoubtedly one of the most iconic in all of motorsport, but at the 24 Hours of Le Mans this year, Aston Martin will be running an altogether more original color scheme. Looking like something between a television test pattern and a 3D projection viewed without the requisite glasses, the livery is actually designed as an optical illusion, to distort perception and trick the eye into thinking the car is moving even when it's sitting still. Of course it still features the unmistakable Gulf logos, and is made up of alternating bars of orange, yellow, blue, and black. It's the work of German artist Tobias Rehrberger, renowned for his abstract experimental art, and will appear on the #97 Vantage GTE this coming weekend when the famous endurance race gets under way in Western France. ASTON MARTIN UNVEILS REHBERGER VANTAGE GTE - Aston Martin Racing unveils 24 Hours of Le Mans art car - Design revealed to racing fans in Le Mans town centre - Unique effects on Vantage GTE created by artist Tobias Rehberger 8 June, Le Mans: Aston Martin Racing is today unveiling a 24 Hours of Le Mans art car designed by artist Tobias Rehberger. The unique creation gives the Gulf #97 Vantage GTE the illusion of movement and speed, even when static. Rehberger is renowned for his abstract art and optical effects that distort perception and has received numerous international prizes and awards, including the Golden Lion for best artist at the 2009 Venice Biennale. Aston Martin Racing invited him to design a livery that would work with the Gulf Vantage GTE's lines and colours in a way never attempted before. Thirty years since the first art car ran in the 24-hour race, Rehberger set out to create a design that uses geometric shapes and patterns to give the car, when static, the impression of movement and speed. The German artist, who will attend Saturday's race as a guest of Aston Martin Racing, explained: "My design for the Aston Martin art car is rooted in my interest in distorted perception and related phenomena like auto moving patterns, optical effects, camouflage and visual confusion, which I have addressed in many works before. "In this case, the design is based on a geometric optical effect pattern.

Aston Martin Victor is a one-off Q build inspired by the original V8 Vantage

Aston Martin’s Q division should be taken very seriously. It just turned out this stunning one-off custom model named the Aston Martin Victor. The Victor is based on a One-77, and itÂ’s the biggest project Q has ever taken on. Aston used the V8 Vantage of the 1970s and 1980s as the design inspiration for the Victor, making it look like a resto-mod Aston Martin. We dig it, a lot. The styling is massively different than a One-77 from front to back, as Aston has gone over every surface of this car. Our favorite highlights include the round headlights, Vulcan-inspired taillights, and boattail rear with its massive, upturned spoiler. It walks the Aston line of being beautiful and aggressive at the same time, with the emphasis on aggression in this build. The paint is called Pentland Green, and itÂ’s complemented by a whole lot of satin carbon fiber. The carbon-fiber monocoque chassis is adapted from the One-77. However, the new carbon-fiber body weighs less than that of the original One-77. Under the sculpted hood sits a 7.3-liter V12. ItÂ’s also from a One-77, but itÂ’s been heavily breathed upon by Cosworth. Output is bumped up to 836 horsepower and 606 pound-feet of torque, increases of 86 and 53 respectively. And then thereÂ’s the transmission. Aston converted it to a genuine three-pedal six-speed manual. The gearbox comes courtesy of Graziano. It requires new twin coolers to handle the heat and a motorsport clutch to handle the torque.  Shifting is done with a solid walnut knob, and itÂ’s simply beautiful. Forest Green “Conker Bridge of Weir” leather covers the cabin where you donÂ’t see exposed carbon fiber. Cashmere is used for the headliner, while anodized aluminum and polished titanium serve in concert with walnut wood for the interior trim. Yeah, it was probably extremely expensive. This car should handle spectacularly well, too. It uses the same inboard dampers and springs as the Vulcan, allowing for six settings of aggression. Aston says it was tuned to ride well on the street in addition to a racetrack — after all, it is road legal. Center-lock wheels are fitted, and six-piston Brembo brakes with carbon-ceramic rotors sit within them. Aston says it produces even more downforce than a Vantage GT4 racecar, so itÂ’s a serious track monster. We donÂ’t know how much it costs, but whoever commissioned the build is certainly extravagantly rich. Related video:

Kahn Vengeance has Aston Martin's blessing [UPDATE]

Last week we brought you the first renderings of a coachbuilt Aston Martin DB9 called the Vengeance that's being developed by Kahn Design. The emergence of the project raised a valid question: if Aston Martin quashed a similar venture by Henrik Fisker, wouldn't the Kahn Vengeance suffer a similar fate? Not according to Kahn. In a statement released to the press, company spokesman Mo Bhana said that "unlike the David Brown Speedback GT and recent Fisker Thunderbolt that ended in a lawsuit, there are no copyright issues with the Vengeance since Aston Martin has confirmed they have entered into a supply deal with us." The incidents Bhana refers to are over two coachbuilder projects that have come up recently and which have drawn the ire of Gaydon. The first is the Speedback GT developed by David Brown Automotive and assembled by a British coachbuilder called Envisage. The latter company also supplies parts and tooling to Aston Martin, which sued Envisage over concerns that its designs were being misappropriated. Given the resemblance of the Speedback to certain classic Astons, and the use of the name David Brown (which happens to be shared by the Speedback's patron and a key figure from Aston's history), reports began circulating that Aston was suing Envisage over the Speedback project, however David Brown Automotive refuted the allegations. The second was Project Thunderbolt, a rebodied Vanquish designed by Henrik Fisker – the same Danish designer who penned the DB9 and V8 Vantage while serving as Aston's design director before striking out on his own. Despite the former association, Aston objected to Fisker's project, launched a lawsuit against him and only agreed to drop it after Fisker agreed not to produce the Thunderbolt. Given Aston's track record, fearing that it would go down the same path would seem reasonable, but Kahn apparently doesn't expect any such difficulties with its supplier. And the company does, after all, also have a history of collaborating with coachbuilders - most notably Zagato. We've reached out to Aston Martin itself for confirmation and will update you as soon as we hear back. In the meantime, you can ponder the second set of renderings released and which we've included above.