2014 Aston Martin on 2040-cars

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Aston Martin's electric Lagonda lineup to open with a crossover

At the time of the Geneva Motor Show, Aston Martin announced it would be re-awakening the storied Lagonda brand to manufacture zero-emission luxury cars. The timeline for these was cast to 2023 at first, but now information has come to light that Lagonda would start selling cars two years earlier, with — you guessed it — an SUV. AutoExpress is reporting that the first model for Lagonda will be a full-electric SUV, which would share some of its technology with the Aston Martin DBX, which might gain the name Varekai when it hits production. Talking to AutoExpress, company CEO Andy Palmer divided the future plans in two: "if it's an Aston, it's probably got a gasoline engine and it's probably got a V-configuration. It might or might not have a hybrid attached to it. But if it's a Lagonda, it's 100 percent electric." Palmer says Lagonda could be able to sell cars via a separate network in the U.K., but that globally the cars would have to co-exist in Aston Martin brand centers. Palmer wouldn't confirm whether the 2021 Lagonda SUV would also be made in the same St. Athan factory as the DBX. The Lagonda sedan was previewed by the swoopy Vision Concept, which Palmer says is "a design study" that focuses on core elements of the Lagonda. Palmer says two key aspects of the concept might not yet be production-ready by 2021: the solid state battery and Level 4 autonomy. The production car should have a realistic range of more than 400 miles, and it should be able to whisk customers away as effortlessly as a chauffeur-driven sedan. View 14 Photos Related Video:

2014 Aston Martin Vanquish Volante

Recently, a fellow editor at AOL asked me to choose "the most beautiful car on the road" for a story he was preparing. I was allowed to choose any vehicle, at any price, as long as it was a model currently in production and offered for sale. The well-oiled gears in my head only needed to turn about half a revolution before I had an answer: The 2014 Aston Martin Vanquish Volante. My decision was simple and my logic sound, because the two-seat Volante is jaw-droppingly gorgeous – whether in pictures or in person. Its long, slender chassis is covered in an artfully sculpted carbon-fiber skin that reeks of sexiness, power and exclusivity. In my mind, there's nothing on the road today with such exquisite lines. But a seductive appearance is meaningless if there's no substance beneath the skin. To allay my concerns, Aston Martin invited me to Palm Springs to spend a couple of days with the car. The region's desert topography promised nice weather and spectacular drive opportunities – that is, if I could stop staring and climb behind its wheel. The insulated triple-layer cloth on the Aston will expose the sky in about 14 seconds. Aston Martin launched its all-new 2014 Vanquish Volante at the last August's Pebble Beach Concours d'Elegance in Monterey as the successor to its DBS Volante. This two-seater is physically and mechanically identical to the Vanquish coupe, but the fixed carbon-fiber roof of the coupe has been replaced with a power-operated retractable soft top for open-air motoring. Before you question employing a soft folding roof on a $300,000 vehicle, let me remind you that such designs actually offer major advantages over today's folding hardtops. They are invariably lighter, far less complex, and their much more compact nature makes them easier to package without compromising a car's aesthetics. When engineered and executed properly, as is the case with the Volante, few will miss solid panels. The insulated triple-layer cloth on the Aston will expose the sky in about 14 seconds at the push of a switch, and it will rise or retreat at speeds up to 30 mph. Unlike its previous open-air executions, this is the first time that Aston Martin has built a convertible with a full-height windscreen, which means the front glass runs all the way up to the fabric roof for a much cleaner transition. The Volante, like all of its Aston Martin siblings, shares the automaker's Generation 4 VH platform, which is company-speak for an all-aluminum monocoque chassis.

007 Questions for James Bond's stunt master

You may not know the name, but you almost certainly have seen some of his work. Chris Corbould has been the special effects supervisor for every James Bond film since 1995's "GoldenEye," and has worked in some way on every one since 1977's "The Spy Who Loved Me." In between Bond movies, he's been the special effects supervisor on such low-budget indie flicks as the three Dark Knight Batman films and Star Wars episodes VII and VIII. Oh, and he won an Oscar for his work on "Inception." I was lucky enough to virtually sit down with Mr. Corbould ahead of the long-awaited release of "No Time to Die", which my colleague Zac Palmer has seen and reported back about all the cars featured in the 25th Bond movie. Mr. Corbould shared some of his experiences creating some of the most iconic stunt sequences in the series' history, including how things have changed over the years, how Bond movies are different and what it's like to not only engineer the stunts, but some of the cars featured in them. Autoblog: What's the biggest difference between working on a Bond film versus other franchise films? Chris Corbould: I think one of the big things is the history behind it. This is the 25th Bond film now and [although] we have to keep changing for the times, there's also a lot of boxes that have to be checked. There are two car chases in this, one with a DB5 in an urban environment and one with a Land Rover Defender in a very very rural environment. [We have to] come up with original ideas for those chases. But the biggest thing working on a Bond film is they always pride themselves in doing the sequences as much as they can for real. Autoblog: I actually unearthed an interview with you in 1999 where you said that "The Bond people pride themselves on STILL doing stunts for real" as opposed to CGI. And that was 22 years ago. Corbould: Yeah! I'm still saying it. Autoblog: How hard has it been to keep that ideology over the years, with changing technologies and capabilities? Corbould: It's not been hard really. The CGI guys have helped us out quite a bit by making our lives easier. They can paint cameras out, they can paint parts of rigs out if need be. The audience still has this fascination in knowing that something has been done for real as well. A lot of the big effects I've done on the James Bond films, there's as much interest in the behind the scenes of how we did the Tube train coming through the ceiling in "Skyfall", how we did the sinking house in "Casino Royale".