2006 Aston Martin Vanquish S on 2040-cars

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Kahn Vengeance has Aston Martin's blessing [UPDATE]

Last week we brought you the first renderings of a coachbuilt Aston Martin DB9 called the Vengeance that's being developed by Kahn Design. The emergence of the project raised a valid question: if Aston Martin quashed a similar venture by Henrik Fisker, wouldn't the Kahn Vengeance suffer a similar fate? Not according to Kahn. In a statement released to the press, company spokesman Mo Bhana said that "unlike the David Brown Speedback GT and recent Fisker Thunderbolt that ended in a lawsuit, there are no copyright issues with the Vengeance since Aston Martin has confirmed they have entered into a supply deal with us." The incidents Bhana refers to are over two coachbuilder projects that have come up recently and which have drawn the ire of Gaydon. The first is the Speedback GT developed by David Brown Automotive and assembled by a British coachbuilder called Envisage. The latter company also supplies parts and tooling to Aston Martin, which sued Envisage over concerns that its designs were being misappropriated. Given the resemblance of the Speedback to certain classic Astons, and the use of the name David Brown (which happens to be shared by the Speedback's patron and a key figure from Aston's history), reports began circulating that Aston was suing Envisage over the Speedback project, however David Brown Automotive refuted the allegations. The second was Project Thunderbolt, a rebodied Vanquish designed by Henrik Fisker – the same Danish designer who penned the DB9 and V8 Vantage while serving as Aston's design director before striking out on his own. Despite the former association, Aston objected to Fisker's project, launched a lawsuit against him and only agreed to drop it after Fisker agreed not to produce the Thunderbolt. Given Aston's track record, fearing that it would go down the same path would seem reasonable, but Kahn apparently doesn't expect any such difficulties with its supplier. And the company does, after all, also have a history of collaborating with coachbuilders - most notably Zagato. We've reached out to Aston Martin itself for confirmation and will update you as soon as we hear back. In the meantime, you can ponder the second set of renderings released and which we've included above.

Aston Martin Victor is a one-off Q build inspired by the original V8 Vantage

Aston Martin’s Q division should be taken very seriously. It just turned out this stunning one-off custom model named the Aston Martin Victor. The Victor is based on a One-77, and itÂ’s the biggest project Q has ever taken on. Aston used the V8 Vantage of the 1970s and 1980s as the design inspiration for the Victor, making it look like a resto-mod Aston Martin. We dig it, a lot. The styling is massively different than a One-77 from front to back, as Aston has gone over every surface of this car. Our favorite highlights include the round headlights, Vulcan-inspired taillights, and boattail rear with its massive, upturned spoiler. It walks the Aston line of being beautiful and aggressive at the same time, with the emphasis on aggression in this build. The paint is called Pentland Green, and itÂ’s complemented by a whole lot of satin carbon fiber. The carbon-fiber monocoque chassis is adapted from the One-77. However, the new carbon-fiber body weighs less than that of the original One-77. Under the sculpted hood sits a 7.3-liter V12. ItÂ’s also from a One-77, but itÂ’s been heavily breathed upon by Cosworth. Output is bumped up to 836 horsepower and 606 pound-feet of torque, increases of 86 and 53 respectively. And then thereÂ’s the transmission. Aston converted it to a genuine three-pedal six-speed manual. The gearbox comes courtesy of Graziano. It requires new twin coolers to handle the heat and a motorsport clutch to handle the torque.  Shifting is done with a solid walnut knob, and itÂ’s simply beautiful. Forest Green “Conker Bridge of Weir” leather covers the cabin where you donÂ’t see exposed carbon fiber. Cashmere is used for the headliner, while anodized aluminum and polished titanium serve in concert with walnut wood for the interior trim. Yeah, it was probably extremely expensive. This car should handle spectacularly well, too. It uses the same inboard dampers and springs as the Vulcan, allowing for six settings of aggression. Aston says it was tuned to ride well on the street in addition to a racetrack — after all, it is road legal. Center-lock wheels are fitted, and six-piston Brembo brakes with carbon-ceramic rotors sit within them. Aston says it produces even more downforce than a Vantage GT4 racecar, so itÂ’s a serious track monster. We donÂ’t know how much it costs, but whoever commissioned the build is certainly extravagantly rich. Related video:

Aston Martin DB5 from ‘GoldenEye’ will be auctioned

Think of an Aston Martin DB5 in a Bond film, and you're likely to think of "Goldfinger" — the film and the car are forever linked in cinema history. But it's not the only Bond film with a DB5 chase, as the producers were eager to establish Pierce Brosnan as a credible Sean Connery equivalent, and put him in a DB5 on a mountain road in 1995's "GoldenEye." There was no white Mustang to chase in "GoldenEye," as Brosnan's Bond played with a red, reportedly rented Ferrari F355 driven by Famke Janssen. A few years after the film's premiere, in 2001, the DB5 was sold for $200,000. That doesn't sound fantastical for a Bond car, but at the time it was the most expensive piece of Bond memorabilia ever sold. At the end of the decade, the actual "Goldfinger" DB5 sold for roughly $4 million, which is unlikely to be topped by the "GoldenEye" car this summer. The car is not a barn-find or a lost cinema classic, either, as it has been on display in several museums such as the National Motor Museum in Britain. Bonhams will be auctioning this DB5 on July 13 at the Goodwood Festival of Speed. The car's estimated at $1.6 million to $2.14 million, which is still half or less than half of what the "Goldfinger" car brought in. Still, it's a silver Aston Martin with actual cinema history, and it's believably one of the reasons why restored classic Astons still get resprayed in Silver Birch. Related Video: