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Red Bull and Aston Martin are working together on a supercar

Ever since Adrian Newey stepped back from the day-to-day at Red Bull Racing last year, we've been wondering what he would do next. And here we very well may have the answer. According to Autocar, the legendary F1 engineer is working on a hardcore, track-focused supercar for Aston Martin. Details are few and far between, but it is believed that the project could make use of a Mercedes engine and take aim at the likes of the Ferrari FXX K and McLaren P1 GTR. That's more or less the same territory Aston is already going after with the Vulcan (pictured), but just how closely aligned the two vehicles would be remains unclear. Newey is said to be keen on making the vehicle road-legal, however – something which the FXX K, P1 GTR, and Vulcan are not. The news comes hot on the heels of an earlier report that indicated Aston Martin and Red Bull were in discussions over a potential partnership in F1 (together with Mercedes). Both developments appear to be stemming from the same rapprochement between the two outfits, but are said to be independent of one another in that one could go ahead without the other. It is just one of several projects, however, that Newey is said to be evaluating in his capacity as head of Red Bull Technologies. It would not be the first time we would see a high-end automaker team up with an F1 team to create a supercar, after all. McLaren built the SLR for Mercedes before going it alone, and Jaguar more recently collaborated closely with Williams Advanced Engineering on the C-X75 concept, an experimental supercar project that was unfortunately aborted prior to reaching production. We'll be watching and hoping to see how the Aston Martin/Red Bull partnership pans out.

You can't buy an Aston Martin GT8, but you can configure one

Aston Martin launched an online configurator for the Vantage GT8, a limited-edition sports car that will be sold in other markets. The GT8, revealed last month, is arguably the ultimate version of the Vantage to date: all the extreme aero from the previous GT12, but with less mass up front. Its atmospheric 4.7-liter V8 engine churns out 446 horsepower through a six-speed manual or a seven-speed automatic to the rear wheels. The overall package represents the most direct translation we've seen of Aston Martin Racing's victorious racers to the road. And with turbo power enveloping the factory at Gaydon (and the AMG engine workshop in Germany), it may be the last of the great naturally aspirated Astons ever. The company will make 150 copies. The configurator offers a choice of 35 exterior colors, along with eight "accent packs," four special racing-inspired liveries, a quartet of wheel choices, six colors of brake caliper, a whole mess of carbon-fiber exterior components, and an aggressive aero kit. On aesthetic grounds alone, we'd be inclined to leave off those oversized wings, spec most of the carbon trim pieces, go with a subdued shade of green, and just the right amount of red to make it pop. Waste a few minutes (or hours) with the web tool and see how you'd spec yours. Related Video:

007 Questions for James Bond's stunt master

You may not know the name, but you almost certainly have seen some of his work. Chris Corbould has been the special effects supervisor for every James Bond film since 1995's "GoldenEye," and has worked in some way on every one since 1977's "The Spy Who Loved Me." In between Bond movies, he's been the special effects supervisor on such low-budget indie flicks as the three Dark Knight Batman films and Star Wars episodes VII and VIII. Oh, and he won an Oscar for his work on "Inception." I was lucky enough to virtually sit down with Mr. Corbould ahead of the long-awaited release of "No Time to Die", which my colleague Zac Palmer has seen and reported back about all the cars featured in the 25th Bond movie. Mr. Corbould shared some of his experiences creating some of the most iconic stunt sequences in the series' history, including how things have changed over the years, how Bond movies are different and what it's like to not only engineer the stunts, but some of the cars featured in them. Autoblog: What's the biggest difference between working on a Bond film versus other franchise films? Chris Corbould: I think one of the big things is the history behind it. This is the 25th Bond film now and [although] we have to keep changing for the times, there's also a lot of boxes that have to be checked. There are two car chases in this, one with a DB5 in an urban environment and one with a Land Rover Defender in a very very rural environment. [We have to] come up with original ideas for those chases. But the biggest thing working on a Bond film is they always pride themselves in doing the sequences as much as they can for real. Autoblog: I actually unearthed an interview with you in 1999 where you said that "The Bond people pride themselves on STILL doing stunts for real" as opposed to CGI. And that was 22 years ago. Corbould: Yeah! I'm still saying it. Autoblog: How hard has it been to keep that ideology over the years, with changing technologies and capabilities? Corbould: It's not been hard really. The CGI guys have helped us out quite a bit by making our lives easier. They can paint cameras out, they can paint parts of rigs out if need be. The audience still has this fascination in knowing that something has been done for real as well. A lot of the big effects I've done on the James Bond films, there's as much interest in the behind the scenes of how we did the Tube train coming through the ceiling in "Skyfall", how we did the sinking house in "Casino Royale".