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David Brown Automotive Speedback GT launches in US

Just over a year ago, the Sportback GT debuted from coachbuilder David Brown Automotive to combine the classic lines of the Aston Martin DB5 with modern underpinnings. Now, the luxurious British coupe is making its way across the pond for a US debut later this summer. With a price of $753,000, you're not going to see these coachbuilt creations on every corner. To make sure that the GT catches the eye of the right clientele, the company is premiering it during the swanky event at The Quail during the 2015 Monterey Car Week in August. Despite the retro look on the outside from former Land Rover designer Alan Mobberley, much of the mechanical underpinnings for the Speedback GT are sourced from the Jaguar XKR. Propulsion is provided by a 5.0-liter V8 making 510 horsepower and 461 pound-feet of torque and linked to a six-speed automatic. Inside, passengers find quite posh surroundings with leather upholstery with wood trim. DAVID BROWN AUTOMOTIVE LAUNCHES STUNNING SPEEDBACK GT TO EAGERLY ANTICIPATED AMERICAN MARKET 13/05/15 Following huge success in Europe, Speedback GT launches in the USA for GBP495,000 (currently $753,000) Speedback will showcase the best of British craftsmanship to American audience at the exclusive Quail Motorsports Gathering rally and concours event Announcement of North American launch rounds off Speedback's recent 1st anniversary celebrations since its European unveiling Coventry, England (May 2015): Launched in March 2014, Speedback GT from David Brown Automotive heralded a new era for GT models, showcasing a classically styled car with modern mechanicals, reliability and comforts. Designed, engineered and hand-crafted in Britain, Speedback GT is now launching officially in the United States, after triumphing in Europe both via media reaction and sales. Displaying at The Quail, the famed motorsports gathering located at Quail Lodge in California, the event will be the perfect place to demonstrate Speedback GT's merits to the American media and public for the first time. Initially showcasing at the Quail Rally Welcome Reception on 10th August, it will participate in the Rally on 11th and 12th August before the main Quail event on 14th August where it will feature on a stand. Company founder and CEO David Brown said: "It's been a fantastic year for Speedback GT since its launch.

Fisker sues Aston Martin for $100M over The Force 1

We were expecting Henrik Fisker to bring The Force 1, his next vehicle design, to next week's Detroit Auto Show, but that might not happen. In December an attorney for Aston Martin sent Fisker a letter asking the Danish designer to either not show his car in Detroit or to change the design. Fisker responded to that letter by filing $100-million civil extortion lawsuit against Aston Martin in a California Federal court, naming company CEO Andy Palmer, chief spokesman Simon Sproule, and chief creative officer Marek Reichman as defendants. Based on the overhead-view sketch, the English carmaker believes that The Force 1 is "strikingly similar to several of Aston Martin's cars, including the DB10" from the movie Spectre. At the same time the carmaker's letter to Fisker admitted that it doesn't know what the final design will look like, but it appears that the carmaker's intent to "protect its valuable rights if necessary" could not make way for patience. Or perhaps Aston Martin is trying to prevent another Thunderbolt episode before it starts. That incident last year involved the carmaker suing Fisker over his reimagined Vanquish, with the two settling the matter out of court. Fisker says The Force 1 has isn't based on an Aston Martin, and as part of the lawsuit submitted a design breakdown of both the DB10 and The Force 1. Fisker's latest is apparently in partnership with VL Automotive, the company that's been threatening to release a V8-powered Karma sedan for years now, and the Detroit show organizers say they've been working with VL, not Fisker. The lawsuit seeks the $100 million for punitive and compensatory damages and court costs, alleging that Aston Martin's actions "would subject [Fisker] to public humiliation, embarrassment in the industry, and significant financial losses." The public allegations go even further, Fisker's lawyer Jonathan Michaels saying that the English brand, "In an effort to protect itself from further market erosion... conspired and devised a scheme to stomp out Henrik Fisker's competitive presence in the luxury sports car industry." News Source: Wall Street Journal Design/Style Government/Legal Detroit Auto Show Aston Martin Fisker Coupe Luxury Performance lawsuit Henrik Fisker spectre aston martin db10

007 Questions for James Bond's stunt master

You may not know the name, but you almost certainly have seen some of his work. Chris Corbould has been the special effects supervisor for every James Bond film since 1995's "GoldenEye," and has worked in some way on every one since 1977's "The Spy Who Loved Me." In between Bond movies, he's been the special effects supervisor on such low-budget indie flicks as the three Dark Knight Batman films and Star Wars episodes VII and VIII. Oh, and he won an Oscar for his work on "Inception." I was lucky enough to virtually sit down with Mr. Corbould ahead of the long-awaited release of "No Time to Die", which my colleague Zac Palmer has seen and reported back about all the cars featured in the 25th Bond movie. Mr. Corbould shared some of his experiences creating some of the most iconic stunt sequences in the series' history, including how things have changed over the years, how Bond movies are different and what it's like to not only engineer the stunts, but some of the cars featured in them. Autoblog: What's the biggest difference between working on a Bond film versus other franchise films? Chris Corbould: I think one of the big things is the history behind it. This is the 25th Bond film now and [although] we have to keep changing for the times, there's also a lot of boxes that have to be checked. There are two car chases in this, one with a DB5 in an urban environment and one with a Land Rover Defender in a very very rural environment. [We have to] come up with original ideas for those chases. But the biggest thing working on a Bond film is they always pride themselves in doing the sequences as much as they can for real. Autoblog: I actually unearthed an interview with you in 1999 where you said that "The Bond people pride themselves on STILL doing stunts for real" as opposed to CGI. And that was 22 years ago. Corbould: Yeah! I'm still saying it. Autoblog: How hard has it been to keep that ideology over the years, with changing technologies and capabilities? Corbould: It's not been hard really. The CGI guys have helped us out quite a bit by making our lives easier. They can paint cameras out, they can paint parts of rigs out if need be. The audience still has this fascination in knowing that something has been done for real as well. A lot of the big effects I've done on the James Bond films, there's as much interest in the behind the scenes of how we did the Tube train coming through the ceiling in "Skyfall", how we did the sinking house in "Casino Royale".