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Race recap: 2016 Bahrain Grand Prix was everything good and bad about F1

Nothing was as it seemed heading into Bahrain. We were told team bosses had nixed the qualifying experiment that flunked every test by every measure in Australia, but that didn't happen. The FIA didn't give the teams the option of a wholesale return to the old format, the governing body only held a vote on whether to revert back to the old format in Q3 but stick with elimination gimmicks in Q1 and Q2. McLaren and Red Bull dissented, denying the chance for hybrid rounds. We're surprised none of the smaller teams voted against since elimination qualifying is hardest on them. Given the chance to fix the system again in Bahrain, Formula 1 failed again. The FIA and Bernie Ecclestone don't want to go back to the old system – because the race promoters don't want to go back to the old system – so all we know for sure is that there will be more meetings. We also thought Fernando Alonso would race in Bahrain after being given medical clearance, but a follow-up scan by the FIA showed fractured ribs and a damaged lung, ruling him out. And we thought Ferrari might have the pace to conquer Mercedes-AMG Petronas this year – and they might yet, but not on Saturday. That's why the Bahrain race began with another Mercedes one-two, Lewis Hamilton ahead of Nico Rosberg, Ferrari drivers Sebastian Vettel and Kimi Raikkonen behind. The Australian outback is plagued with rabbits, which must have something to do with how Daniel Ricciardo keeps pulling them out of his helmet; the Aussie got his Red Bull up to a surprising fifth on the grid. Williams drivers Valtteri Bottas in sixth and Felipe Massa in seventh would need to get him out of the way quickly to show what the car can do after an unsatisfying race in Australia. Nico Hulkenberg lined up in eighth for Sahara Force India. As proof the qualifying format failed again with its sophomore attempt, the last five minutes of Q2 were disappointing. Hulkenberg had the track completely to himself for his quali run, the only two cars on track after him were the Williams duo who weren't setting a time, but getting a set of soft tires ready to start the race on. As for Q1, the only reason for on-track action in the last three minutes was because Hamilton flubbed his first timed run. Romain Grosjean continued Haas F1's fruitful start to the season with ninth place, ahead of Max Verstappen in the Toro Rosso closing out the top ten. At the end of a long red light to start the race, Rosberg claimed his right to victory before Turn 1.

Top Gear magazine climbs all over the McLaren Elva

Top Gear deputy editor Jack Rix took a camera crew to McLaren's Technology Center for a closer look at the Elva roadster. Not only did Rix provide his usual, thorough once-over and explanation of design features, but thanks to the magic of moving pictures, we get graphic demonstrations of how the Elva's most interesting feature works. McLaren engineers needed to figure out a way to protect helmetless occupants from getting their faces painted with bugs and detritus at speed. Their solution is the Active Air Management System (AAMS), composed of a deflector and a network of vents that create a "bubble of calm" around the passenger cell. Unlike the rest of the Elva, the AAMS ain't pretty, but beauty always loses tie-breakers to effectiveness in Woking.  For a vehicle with so little to it, including the number of body panels, there's a ton going on all around the open-top. The rear mesh is 3D-printed titanium. Short seat squabs combined with a moving steering wheel and gauge cluster improve ingress and egress. Four high-flow exhaust pipes are placed in two locations and pointed two directions in order to separate tones as if the exhaust were an audio system – because, in truth, it is. And there's more, but we'll let Rix explain.  As an aside, for all the Elva does have, we think it's a shame the roadster doesn't have a roofed version. Digital artist Nikita Aksyonov drew up an Elva Coupe, and we're fans. Better looks than the McLaren GT, in a package that appears more compact than the 720S, with a more powerful engine than the Senna? Yes. All day yes. But we digress, so check out Rix's take in the video.

The story behind the Bruce Meyers racecar bed

It must have been quite a spectacle to watch as a full-size vehicle trailer pulled up in front of the Schorrs' suburban house and delivered a garish French Racing Blue sports car. But it might not have been all that odd. "My world was the car world, and my dad was the car guy," Stuart Schorr, now Jaguar Land Rover communications chief, recalls of his youth. His father Marty was the editor in chief of high performance car magazines during the muscle-car era of the '60s and '70s. "I was the only kid who had a Plymouth Superbird parked in the driveway, who got driven to school in a hot-rodded Corvette." Yet this vehicle was extraordinary, even by Schorr standards. Made of thick fiberglass, with four-spoke mags and racing slicks, it looked like a McLaren M6 Can-Am racer – wide, voluptuous, and impossibly low. But in place of niceties like the front intake, cockpit, and engine, it had a broad cutout the size and shape of a coffin. Also, it unbolted in the middle lengthwise. Workers hauled it into the house, one piece at a time, through the window, and bolted it together in Stuart's bedroom, finishing with a full-size twin mattress. "When Stuart came home from school, he found the McLaren bed in his room," Marty Schorr says. "I'm pretty sure he slept in that bed until he went away to college." (This may have been the most unusually effective form of teen birth control. "No female ever saw that bed," Stuart confesses.) One of the great mysteries of the bed was its provenance. "If you looked under the plastic tires, it had these stickers that said B.F. Meyers & Company." This was the imprint of Bruce Meyers, creator of the Meyers Manx: the flippant fiberglass wonder that ushered in – and was then summarily ushered out of – the Volkswagen dune buggy conversion market. Did Bruce Meyers build a kids' bed? And, if so, why? Bruce Meyers grew up near the Pacific Ocean in Southern California, surfing and diving illegally off the piers. "That's the kind of life I led as a boy," he says during an extensive interview. "It was one with a lot of intolerance for rules." A thorough iconoclast, he attended art school. He spent time sailing. He lived on a coral atoll in the South Seas and ran a pearl trading post. And then he returned to Southern California and worked in a shipyard. "Boat building at that time was moving over from wooden to fiberglass construction.