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Bentley Continental GT celebrates 20 years in production with one-off

Another automotive birthday this year: The Bentley Continental GT is getting a cake for being 20 years in production. The superluxe GT segment was neither new nor unpopulated when a Cypress Green Continental GT with VIN 20001 came off the production line in Crewe, England, in December 2003. It's just that nothing else combined as much speed, handling, and all-out luxury as the Bentley. That coupe also introduced the world to a 6.0-liter W12 engine making 550 horsepower and 479 pound-feet of torque back when the four-seat Ferrari 456M was getting 442 hp and 406 lb-ft. from its V12 and the two-seat Ferrari 575M was making "just" 508 hp and 434 lb-ft. from the same engine. With the 20th anniversary being celebrated with China dishware, it's fitting that Bentley used Auto Shanghai to introduce a one-off celebration in the form of a Continental GT S. This one comes in Magnetic Dark Grey Metallic over 22-inch black chrome and black wheels. Red accent lines embellish the mirror caps and form a hem around the base of the coupe. Inside, specialty division Mulliner's made a unique arrangement of Beluga (black) and Hotspur (red) leather against piano black trim. The bi-finish fascia puts Granite Stone above Grand Black veneer, separated by red pinstriping. Special badging and laser etching appears in places like the treadplates, center console, and veneers.  The carmaker plans events in the Western hemisphere at the Goodwood Festival of Speed in July, a global relay of Continental GTs crossing three continents to pass a custom Bentley baton. There will also be drive hubs at the HQ in Crewe and in Geneva, Switzerland where invited guests can drive all three Continental generations, the first- and second-generation examples coming from the Bentley Heritage Collection. The culmination comes in another one-off Continental GT inspired by the first unit produced that will debut during Monterey Car Week.    

Bentley teases restyled production SUV

Bentley insists that customers responded positively, but journalists weren't particularly enamored with the EXP 9 F concept when it was unveiled two years ago at the Geneva Motor Show. And so it went back to the drawing board, honing the design to make it more pleasing to the eye.
The production model won't hit the road until 2016, but at its annual shareholders meeting today in London, the British automaker revealed the first image of the finished design - or at least the front end, which was arguably the most controversial element of the design in the first place.
The rendering, as you can see above, is highly stylized and obscured by flying sand (as many customer examples are likely to be in the dunes of the Middle East). But from what we can see, it appears that Bentley has moved the secondary headlights from below the primary ones to beside them. It's hard to tell, but it appears that their place on the edges of the front bumper have been replaced by air vents, giving it an altogether Continental-like front end. The shape of the grille, hood, fenders and greenhouse otherwise appear similar to the EXP 9 F we've already seen, though the air dam appears taller than the concept's.

Top London design students imagine Bentley in 2050

Imagination is the birthplace of good design. Shapes, curves, and edges are formulated inside an artist's mind before spilling onto a sketchbook page and taking shape as an automobile. The Royal College of Art in London aims to nurture this within its mobility students. In a recent project, vehicle design students of the MA Intelligent Mobility program brainstormed how the future of Bentley Motors would transpire in physical form. The challenge asked, "What will British luxury mean in 2050?" In total, 24 designer hopefuls turned in designs to a judging panel of RCA teachers and members of the Bentley design team. These same teachers also helped the students throughout the process. Of the 24, only four designs were plucked and highlighted, seen in the concept sketches above. Eunji Choi's "Elegant Autonomy," which looks like a mesh between a luxury yacht and a grand piano, took a high-class approach to what driverless cars might look like. Jack Watson's "Stratospheric Grand Touring," the teardrop pod on legs, makes note that without the worry of travel difficulties, home could be literally anywhere. Irene Chiu's "Luxury Soundscapes," seen from the overhead and cockpit views, reimagines a car's cabin as a tranquil safe space. Kate NamGoong's "Material Humanity," which most resembles a current-age car while invoking historic Bentley design, offers a future where the way to stand out from the crowd will be to occasionally drive a combustion engine like "the old days." The rarity of such an engine will form a niche for craft exposed engines, much like is true of high-end watches. We think we like that one best *wink*. The intent for the Intelligent Mobility program is to lead the proclaimed third age of automotive design. It is meant to work toward a future of interconnected megacities, flying cars, driverless vehicles, and sustainable energy and materials. The biggest problem with the future? It'll have new innovations and worse problems even the human mind not be able to imagine. Related Video: Featured Gallery Future of Bentley, Royal College of Art View 16 Photos News Source: Royal College of Art Design/Style Green Bentley Autonomous Vehicles Luxury