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Ducati Diavel for Bentley is the first collaboration between the brands

Sister companies Ducati and Bentley have joined forces for the first time to create a limited-edition version of the Diavel motorcycle. Inspired by the Batur, which is also a limited-edition model, the bike stands out with an elegant design that incorporates several Bentley styling cues. Although this is the first time Bentley's winged logo appears on a Ducati, it's not the first car-themed Diavel to come out of the Italian brand's design studio; it collaborated with Lamborghini on a Sian FKP 37-inspired 1260 Diavel in November 2020. Drawing inspiration from the sold-out Batur, designers added mesh inserts and red accents to the side air intakes, edition-specific fairing made with carbon fiber, and forged wheels shaped like the ones Bentley put on its limited-edition coupe. Scarab Green paint from the Bentley palette completes the look. The rider sits on an Alcantara-upholstered seat with red accents that echoes the Batur's interior and faces a redesigned instrument cluster. Ducati notes that buyers will receive the bike in a personalized wood case along with a certificate of authenticity, a motorcycle cover, and a passenger seat. The two companies also collaborated on a range of accessories that includes a helmet and a limited-edition jacket. Fitting the Diavel with Bentley's 6.0-liter twin-turbocharged W12 engine seemingly wasn't an option, so power comes from a stock, 1.2-liter V4 rated at 168 horsepower and 93 pound-feet of torque. If neither figure sounds impressive, keep in mind the standard Diavel weighs 520 pounds. Put another way, its power-to-weight ratio approaches that of a Bugatti Chiron. It's the two-wheel equivalent of a supercar. Ducati will build 500 units of the Diavel for Bentley. If that's not rare enough, it will make 50 additional examples of a version named Diavel for Bentley Mulliner that's reserved for Bentley customers. They'll notably have a broader scope of customization options to choose from. Featured Gallery Ducati Diavel for Bentley View 29 Photos Design/Style Bentley Motorcycle Luxury Performance

Bentley re-creates one-of-a-kind sports sedan destroyed in 1939

Bentley's Mulliner division specializes in making one-off (or few-off) projects for clients willing to foot the bill. They're the folks you'd want to talk to if you want a long-wheelbase Flying Spur, a Bentayga-based dually pickup, or anything in between. The division only works on new models, but it stepped outside of its comfort zone to re-create a one-of-a-kind Bentley manufactured and destroyed in 1939. The project is part of Bentley's on-going centennial celebration, and finishing it in time was easier said than done. It made building a concept car like the EXP 100 GT look like assembling a Lego kit. The original Corniche disappeared after getting bombed by the German army, and a majority of the people who saw it in person are dead, so the men and women tasked with resurrecting it only had a handful of period, black-and-white photographs and technical drawings to work with. The final product looks stunning, and Bentley claims it's identical to the original in every way. Parts like the chromed headlight bezels, the droplet-shaped fenders, and the wooden dashboard were exclusive to the Corniche, so they had to be manufactured from scratch using the correct materials, and the right production techniques. The British firm could have saved itself the trouble of re-creating this unique part of its history if another car hadn't pulled out in front of it 80 years ago. Bentley made the original Corniche during tumultuous times as it explored the possibility of releasing a more powerful variant of the Mark V scheduled to make its debut in October 1939. It asked French designer Georges Paulin to draw a futuristic, streamlined body, and it commissioned Paris-based coachbuilder Carrosserie Vanvooren to build it using thinner-than-normal steel to save weight. The Corniche lapped the Brooklands track for the first time in May 1939 and quickly reached over 100 mph, an impressive speed at the time. Testing continued in rural France, where the big Bentley blended in as well as a flying saucer. In August 1939, one of the company's test drivers swerved to avoid another car, rolled, and wrapped the aerodynamic front end around an unsuspecting tree. Bentley separated the body and the chassis. It immediately shipped the chassis to its headquarters in Crewe, England, and curiously asked a local shop to repair the body instead of sending it back to Vanvooren in Paris.

A car writer's year in new vehicles [w/video]

Christmas is only a week away. The New Year is just around the corner. As 2014 draws to a close, I'm not the only one taking stock of the year that's we're almost shut of. Depending on who you are or what you do, the end of the year can bring to mind tax bills, school semesters or scheduling dental appointments. For me, for the last eight or nine years, at least a small part of this transitory time is occupied with recalling the cars I've driven over the preceding 12 months. Since I started writing about and reviewing cars in 2006, I've done an uneven job of tracking every vehicle I've been in, each year. Last year I made a resolution to be better about it, and the result is a spreadsheet with model names, dates, notes and some basic facts and figures. Armed with this basic data and a yen for year-end stories, I figured it would be interesting to parse the figures and quantify my year in cars in a way I'd never done before. The results are, well, they're a little bizarre, honestly. And I think they'll affect how I approach this gig in 2015. {C} My tally for the year is 68 cars, as of this writing. Before the calendar flips to 2015 it'll be as high as 73. Let me give you a tiny bit of background about how automotive journalists typically get cars to test. There are basically two pools of vehicles I drive on a regular basis: media fleet vehicles and those available on "first drive" programs. The latter group is pretty self-explanatory. Journalists are gathered in one location (sometimes local, sometimes far-flung) with a new model(s), there's usually a day of driving, then we report back to you with our impressions. Media fleet vehicles are different. These are distributed to publications and individual journalists far and wide, and the test period goes from a few days to a week or more. Whereas first drives almost always result in a piece of review content, fleet loans only sometimes do. Other times they serve to give context about brands, segments, technology and the like, to editors and writers. So, adding up the loans I've had out of the press fleet and things I've driven at events, my tally for the year is 68 cars, as of this writing. Before the calendar flips to 2015, it'll be as high as 73. At one of the buff books like Car and Driver or Motor Trend, reviewers might rotate through five cars a week, or more. I know that number sounds high, but as best I can tell, it's pretty average for the full-time professionals in this business.