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Listen to the Aston Martin Vulcan do what it was meant to

What happens when a world-class sports car manufacturer and racing team is permitted to design a vehicle from the ground up with no rules to follow? Something along the lines of the Aston Martin Vulcan, that's what. Built neither for the road nor for any racing series, the Vulcan is part of a new class of dedicated track cars. And as you can see from this latest video, it's all but completely unhinged. The Vulcan represents Gaydon's answer to the likes of the Ferrari FXX K and McLaren P1 GTR. It packs a 7.0-liter naturally aspirated V12 at the front of an aluminum chassis with carbon-fiber bodywork. It weighs less than 3,000 pounds, but packs 800 horsepower – without a hybrid system or turbo spool in sight. In short, it's takes the best from Aston's road cars and its race cars, amps them up to 11, and abides by none of the rules they need to. Apart from some preliminary teasers, a run up the hill at Goodwood, and a brief (but static) encounter with its Cold War, airborne namesake, this represents a rare opportunity to see – and most importantly hear – the Vulcan do what it's designed to do. With only 24 to be made and each priced at over $2 million, this may be the closest you'll ever get. So go full-screen and crank the speakers to enjoy the unbridled show.

Spectre shreds $37 million in cars

Much as you can't make an omelet without breaking a few eggs, you apparently can't film a James Bond movie without trashing a few cars. And by "a few cars," we actually mean $37 million worth. That's how much the producers of the all-new 007 flick, Spectre, trashed in the process of filming. And yes, that's a record. "We set the record for smashing up cars on Spectre," stunt coordinator Gary Powell told The Daily Mail (with what we can only imagine was a very boastful grin). "In Rome, we wrecked millions of pounds worth. They were going into the Vatican at top speeds of 110 [miles per hour]. We shot one entire night for four seconds of film." But because this was Bond, producers didn't just destroy $37 million worth of budget hatchbacks. Instead, seven out of ten specially produced Aston Martin DB10s were sacrificed in the name of cinema, including a major crash sequence featuring Rome's Colosseum, River Tiber, and the Vatican. American filmgoers will be waiting until November 6 to see if the destruction of all those Aston Martins was worthwhile. Somehow, we don't think anyone is going to be disappointed. Related Video: News Source: Daily Mail via Vanity FairImage Credit: Angelo Carconi / AP TV/Movies Aston Martin Coupe Luxury Performance spectre aston martin db10

2021 Aston Martin DBX First Drive Review | A crossover that makes you forget it’s a crossover

Many times we test high-powered crossovers but view them through the same lens as their performance-oriented siblings. Is this a Mustang? Is this a Porsche? Is it worthy? The list of crossovers subjected to navel-gazing and hand-wringing is long. Rather than fretting over the badge or the shape, it’s helpful to simply judge these vehicles on their merits. After all, the 2021 Aston Martin DBX was created because crossovers are essential, not because Aston ran out of sports-car ideas. The DBX is the first and assuredly not the last crossover in Aston MartinÂ’s 108-year history thatÂ’s filled with glittering sports cars and financial unease. The latter is the reason the DBX exists, so as to allow for the former to continue to endure. Put another way: ItÂ’s 2021. Ya gotta have a crossover, and it needs to be able to do stuff. The last time I reviewed an Aston, the DB11, I piloted it through the sun-drenched Tuscan countryside at high speeds. Five years later I find myself measuring another Aston under vastly different circumstances on vastly different merits. ThatÂ’s actually perfect.  The DBX is a crossover that can run, but my first order of business is strapping my sonÂ’s rear-facing car seat in the back. It fits pretty well, and even with him right behind the driverÂ’s seat, I still had a decent amount of room. Despite the dramatic roofline, I was able to get him in and out of the DBX with reasonable comfort. A minivan with sliding doors and a low ride height is easier, but the Aston is about as fit for toddler duty as any coupe-styled crossover can be. My sonÂ’s reaction? He loved the blue leather with its white stitching and noted the car “yelled.” ThatÂ’s what an AMG-built turbo V8 sounds like, son. The DBXÂ’s cabin is worth our test car's nearly $211,000 sticker. ItÂ’s interesting and stylish, rather than decadent. The all-Aurora blue leather looks and feels expensive. The sea of blue is broken up by a camel-colored Alcantara headliner, the ivory seatbelts and a light olive aspen overlay that accents the center console. The contrasting white stitching is subtle but intricate on the seats and door panels, and the seatbacks and large steering wheel proudly display the Aston badge. ThereÂ’s no shifter, but the paddles are large and easy to use, returning a satisfying clack.