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Aston Martin Rapide AMR a limited-edition last hurrah before the DBX

The Aston Martin Advanced Operations department would like you to meet the Rapide AMR. The second Aston Martin product to highlight race-to-road synergies after the DB11 AMR, the production version follows the concept shown at the 2017 Geneva Motor Show. Unless the auto market suddenly veers back to sedans, the "hardcore" Rapide AMR will be one of the carmaker's last big swings at the four-door fastback until the Rapide retires in 2020 to make way for the DBX crossover. Its tech updates were tested and proved at the Nurburgring earlier this year, resulting in final specs that have changed slightly from the concept. While the UK and European Union get a version of the 6.0-liter V12 that makes 595 horsepower, the U.S. and the rest of the world must make do with 580 hp, a 28-hp increase over the Rapide S. Torque holds steady worldwide at 465 pound-feet, same as in the Rapide S. Aston Martin quotes a 0-60 mile-per-hour time of 4.2 seconds, also matching the S version, but a top speed of 205 mph, two mph beyond the standard sibling. The two Rapides could never be confused because of the AMR's vented carbon fiber hood, front splitter, sills, decklid, decklid spoiler, and rear diffuser wrapped around a new quad exhaust. Black mesh fills the grille, Zagato-like running lights rest at the front corners. The sedan sits 10 millimeters lower, but on forged 21-inch wheels — the largest ever fitted to an Aston Martin — with spokes designed to aid in brake cooling. The carbon ceramic brakes are a first for the Rapide, six-piston calipers doing the work up front, four pistons in the rear. Indecisive buyers can start with one of three exterior design themes: Standard, Silhouette, or Signature. The first two start with either Mariana Blue, Scintilla Silver, Lightning Silver or Onyx Black, but Standard puts AMR Lime accents on the splitter, sills, and rear diffuser. Silhouette swaps the Lime dainties for a full-length stripe in China Grey or Clubsport White. Signature goes full race, with Stirling Green the primary color and a Lime strip and Lime accents hinting at Aston Martin Racing liveries. Inside, Alcantara with embroidered AMR logos and welting in Lime or Galena Silver seats flank a full-length carbon fiber center tunnel. Before adding options like carbon fiber door handles or a One-77 steering wheel, the price of entry is $240,000, a $34,000 premium over the Rapide S. The first of just 210 cars will be delivered in the later part of the year.

Aston Martin to cut 15 percent of workforce

Aston Martin has announced it will slash nearly 300 jobs, or about 15 percent of its total workforce, as part of a cost-cutting bid. The changes aren't going to come on the factory floor, though. Instead, according to the Unite trade union, the majority of firings will involve white collar employees – administrators, managers, and the like – at the company's headquarters in Gaydon, England, Bloomberg reports. In an emailed statement to the business outlet, Aston Martin said eligible employees will be offered early retirement options. While Aston said there'd only be 295 employees released, Unite put the number at no more than 314. "Collective consultation with employee representatives, including Unite, has begun and the company is working with them to minimize the risk of compulsory redundancies," the union told Bloomberg. Aston Martin added that this move will have no impact on the company's production figures, although it's unclear what it could mean for future vehicles, like the production DBX and upcoming DB11. Related Video:

Ford's J Mays feels vindicated by Fusion reception

It's hard to think back now, but the same man overseeing the design of the 2013 Ford Fusion also presided over a rather lackluster period in Ford design, highlighted by vehicles like the Five Hundred and Freestyle. With the redesigned Fusion receiving high praise, J Mays tells Automotive News that he feels vindicated from criticisms suggesting he's not a daring enough designer.
When Mays took over as lead of design in 1997, he admits to having quite an ego ("My head would barely fit through the door some days. I've long since gotten over myself") and the workload to match. With the Blue Oval's portfolio full of premium brands like Aston Martin, Jaguar, Land Rover and Volvo at that point, along with the bread-and-butter Ford, Lincoln and Mercury models, Mays certainly had quite the challenge.
It was in the mid-2000s that Mays took over just the premium brands, and took on the new title of Chief Creative Officer. At the time, Mays endured some criticism for looking backwards to retro styling, rather than setting a new standard for American car design - criticism that Mays says he is free from with the all-new Fusion.